Rediscoveries of Lost Gems- Heaven

















Heaven- Brass Rock 1
[CBS, 1971]

This album is another perfect example of why we should never judge a book by its cover. A cursory glance at the cover would likely lead you to believe that the music contained on this mysterious platter is either of the psychedelic folk or soft rock variety. The title is a bit misleading as well, as we have come to expect that anything with "brass rock" in the title could be written off as another Chicago rip-off. I'm here to tell you that you won't be able to properly prepare yourself for what you are about to hear. Just sit back, relax and get ready for a crack band of stellar musicians to hit you over the head with a heavy dose of unbridled enthusiasm and jazz-rock bravado.

The first track, "Things I Should've Been," starts the proceedings off with a bang as the guttural scream from the lead singer leads right into the first astonishing riff on the record. After this, the song really only lets up for a brief sax solo in the middle that gives way to a heady stew of guitar, horns and drums that eventually returns to the opening guitar riff.   Next, is the prog-inflected jam, "This Time Tomorrow," with it's amazing drum breakdowns and extended guitar solos that never wear out their welcome. The musicianship on this track is so mind-blowing that words can't do it justice.  While "Never Say Die" is more straightforward than the previous two tracks, it still features in the pocket drumming and blazing leads. I would have to say that "Come Back" is the most overtly prog song on the record, even though it juxtaposes flutes and horns with the breakneck intensity of classic prog. There is a part at the end of this song where there is a start and stop dynamic between the guitars and horns that is utterly sublime. As for the second half of the record, "Song for Chaos" contains so many tempo changes it will literally make your head spin, "Morning Coffee" captures a laid-back Sunday morning vibe, the opening drum break from "Number Two" is a sample waiting to happen and the epic Got to Get Away starts out unassumingly before it explodes into a frenetic blast of energy with an ear-splitting wah-wah solo laid on top of what sounds like a full conga line.

While there are brass horns on virtually every track, they are not the focal point. This record is really something special, an unexpected holy grail of progressive jazz rock that is truly a rediscovery of a lost gem!

I would love to hear what you think of this record, so drop me a line in the comments!

Enjoy!

Comments

Anonymous said…
Hi, I just discovered your blog (through a link from "On the Right Side of a Groovy Thing"). You've done a great job of catching my interest and I was either: disappointed to find that the link doesn't work - or reminded that I can be pretty dense when it comes to finding links. Did the link expire? Or was there a glitch of some kind?

Anyway, this album sounds pretty great. Is it possible for the link to be re-posted (or could you point out where it is)?
Kevin said…
Anonymous: Thanks for stopping by and letting me know about this. The link is accessed by clicking on "Enjoy" at the bottom of the post. I wasn't able to get the link to work in Firefox at first. When I tried accessing this in Chrome, it worked fine. I then closed all my Firefox browser windows, and when relaunched the link works. It could be something that's resolved by doing what I did or by rebooting your PC. If neither of those work, the link might be blocked by your Virus or firewall program.

I have decided to switch to Mediafire for links going forward, but due to the invasive and inappropriate ads that come up when using Mirrorcreator, I might re-up everything within the last several months to Mediafire.

Hopefully, you get this link to work, but please let me know if you'd like me to send you a private link to download via Dropbox.

I would love to hear what you think of it once you actually get to hear it.

Thanks,

Kevin

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